Interview

Sculpting a genius

In a special subscriber-only interview, we chat to illustrator Gary Neill about how he put together his most recent artwork for the magazine

INTERVIEW Dom Hogan

In issue 25 of Champions Journal we brought you Pep Guardiola as he’s never been seen before; immortalised in stone and fused with one of the world’s most famous sculptures.  

The Manchester City manager has spent his career revolutionising the game, from tiki-taka football to inverted wing backs. So, naturally, when it came to providing artwork to partner our piece on modern football’s latest tactical trend – the renewed reliance on set-pieces – he made for the perfect inspiration for illustrator Gary Neill.  

The process of producing these vibrant and eye-catching artworks for our readers begins as just the smallest kernel of an idea, before the final product makes its way into the magazine after, in Gary’s words, “lots and lots and lots of drawing”.

After producing his latest stunning contribution for Champions Journal, Neill takes us behind the magician’s curtain and into his creative process.  

“I’ve been working as an illustrator for nearly thirty years, and I think one of the reasons I’ve been busy for so long is due to focusing on strong, simple ideas. So, stylistically, the work is quite bold, simple, and graphic, but the aesthetic is always in service of the idea.

“Usually, when creating these illustrations for Champions Journal, I’m initially given either the article or a synopsis to read and then I use that to generate some ideas. In this case, the article referenced the idea that set-piece coaches were being lauded like modern-day tactical geniuses, so I came up with five different rough ideas for the designer working on the article, riffing off the idea of set play coaches like Tony Pulis being considered in the same bracket as other great masters like Jürgen Klopp and Pep Guardiola.

In issue 25 of Champions Journal we brought you Pep Guardiola as he’s never been seen before; immortalised in stone and fused with one of the world’s most famous sculptures.  

The Manchester City manager has spent his career revolutionising the game, from tiki-taka football to inverted wing backs. So, naturally, when it came to providing artwork to partner our piece on modern football’s latest tactical trend – the renewed reliance on set-pieces – he made for the perfect inspiration for illustrator Gary Neill.  

The process of producing these vibrant and eye-catching artworks for our readers begins as just the smallest kernel of an idea, before the final product makes its way into the magazine after, in Gary’s words, “lots and lots and lots of drawing”.

After producing his latest stunning contribution for Champions Journal, Neill takes us behind the magician’s curtain and into his creative process.  

“I’ve been working as an illustrator for nearly thirty years, and I think one of the reasons I’ve been busy for so long is due to focusing on strong, simple ideas. So, stylistically, the work is quite bold, simple, and graphic, but the aesthetic is always in service of the idea.

“Usually, when creating these illustrations for Champions Journal, I’m initially given either the article or a synopsis to read and then I use that to generate some ideas. In this case, the article referenced the idea that set-piece coaches were being lauded like modern-day tactical geniuses, so I came up with five different rough ideas for the designer working on the article, riffing off the idea of set play coaches like Tony Pulis being considered in the same bracket as other great masters like Jürgen Klopp and Pep Guardiola.

Read the full story
Sign up now to get access to this and every premium feature on Champions Journal. You will also get access to member-only competitions and offers. And you get all of that completely free!

In issue 25 of Champions Journal we brought you Pep Guardiola as he’s never been seen before; immortalised in stone and fused with one of the world’s most famous sculptures.  

The Manchester City manager has spent his career revolutionising the game, from tiki-taka football to inverted wing backs. So, naturally, when it came to providing artwork to partner our piece on modern football’s latest tactical trend – the renewed reliance on set-pieces – he made for the perfect inspiration for illustrator Gary Neill.  

The process of producing these vibrant and eye-catching artworks for our readers begins as just the smallest kernel of an idea, before the final product makes its way into the magazine after, in Gary’s words, “lots and lots and lots of drawing”.

After producing his latest stunning contribution for Champions Journal, Neill takes us behind the magician’s curtain and into his creative process.  

“I’ve been working as an illustrator for nearly thirty years, and I think one of the reasons I’ve been busy for so long is due to focusing on strong, simple ideas. So, stylistically, the work is quite bold, simple, and graphic, but the aesthetic is always in service of the idea.

“Usually, when creating these illustrations for Champions Journal, I’m initially given either the article or a synopsis to read and then I use that to generate some ideas. In this case, the article referenced the idea that set-piece coaches were being lauded like modern-day tactical geniuses, so I came up with five different rough ideas for the designer working on the article, riffing off the idea of set play coaches like Tony Pulis being considered in the same bracket as other great masters like Jürgen Klopp and Pep Guardiola.

To come up with these ideas, I do lots and lots and lots of drawing
By
Gary Neill

“I think a couple of my ideas riffed off the tactical geometrical aspect of set-piece coaches, where I explored the idea of a game being planned out as a blueprint and not on a tactics board.

“The next step was to consider other famous artefacts representing geniuses, which led me to the sculpture of The Thinker, which I thought could be tweaked and twisted to suggest Guardiola as being one of the game’s great tacticians and intellectuals. Actually visualising the sculpture of The Thinker in the same pose as Guardiola, and to then turn him into stone, was technically a little tricky and took me a day or two to work out.

“I really enjoy the conceptual part of the process, exploring ideas, being playful with a whole range of visual possibilities. I also enjoyed the visual twist of the ball bouncing off Pep's head almost as if it was a set play pass from a throw-in or a corner. 

“To come up with these ideas, I do lots and lots and lots of drawing; these drawings are the visual ingredients that allow me to mix and match elements to make new ideas, but they also inspire me to play around with twisting things, putting things in unusual contexts, or changing the characteristics of visuals. So, quite simply, in this case, the idea of making a real human out of stone is not something that would technically happen but something that I imagined could be a fun visual in order to communicate an idea.

“I’m a mentor at The School of Communication Arts, and I love sharing with students great visual communication on billboards and posters. There’s something so effortless and concise about a great poster that I try to emulate in my illustrations.”

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Interview

Sculpting a genius

In a special subscriber-only interview, we chat to illustrator Gary Neill about how he put together his most recent artwork for the magazine

INTERVIEW Dom Hogan

In issue 25 of Champions Journal we brought you Pep Guardiola as he’s never been seen before; immortalised in stone and fused with one of the world’s most famous sculptures.  

The Manchester City manager has spent his career revolutionising the game, from tiki-taka football to inverted wing backs. So, naturally, when it came to providing artwork to partner our piece on modern football’s latest tactical trend – the renewed reliance on set-pieces – he made for the perfect inspiration for illustrator Gary Neill.  

The process of producing these vibrant and eye-catching artworks for our readers begins as just the smallest kernel of an idea, before the final product makes its way into the magazine after, in Gary’s words, “lots and lots and lots of drawing”.

After producing his latest stunning contribution for Champions Journal, Neill takes us behind the magician’s curtain and into his creative process.  

“I’ve been working as an illustrator for nearly thirty years, and I think one of the reasons I’ve been busy for so long is due to focusing on strong, simple ideas. So, stylistically, the work is quite bold, simple, and graphic, but the aesthetic is always in service of the idea.

“Usually, when creating these illustrations for Champions Journal, I’m initially given either the article or a synopsis to read and then I use that to generate some ideas. In this case, the article referenced the idea that set-piece coaches were being lauded like modern-day tactical geniuses, so I came up with five different rough ideas for the designer working on the article, riffing off the idea of set play coaches like Tony Pulis being considered in the same bracket as other great masters like Jürgen Klopp and Pep Guardiola.

Read the full story
Sign up now to get access to this and every premium feature on Champions Journal. You will also get access to member-only competitions and offers. And you get all of that completely free!
To come up with these ideas, I do lots and lots and lots of drawing
By
Gary Neill

“I think a couple of my ideas riffed off the tactical geometrical aspect of set-piece coaches, where I explored the idea of a game being planned out as a blueprint and not on a tactics board.

“The next step was to consider other famous artefacts representing geniuses, which led me to the sculpture of The Thinker, which I thought could be tweaked and twisted to suggest Guardiola as being one of the game’s great tacticians and intellectuals. Actually visualising the sculpture of The Thinker in the same pose as Guardiola, and to then turn him into stone, was technically a little tricky and took me a day or two to work out.

“I really enjoy the conceptual part of the process, exploring ideas, being playful with a whole range of visual possibilities. I also enjoyed the visual twist of the ball bouncing off Pep's head almost as if it was a set play pass from a throw-in or a corner. 

“To come up with these ideas, I do lots and lots and lots of drawing; these drawings are the visual ingredients that allow me to mix and match elements to make new ideas, but they also inspire me to play around with twisting things, putting things in unusual contexts, or changing the characteristics of visuals. So, quite simply, in this case, the idea of making a real human out of stone is not something that would technically happen but something that I imagined could be a fun visual in order to communicate an idea.

“I’m a mentor at The School of Communication Arts, and I love sharing with students great visual communication on billboards and posters. There’s something so effortless and concise about a great poster that I try to emulate in my illustrations.”

Interview

Sculpting a genius

In a special subscriber-only interview, we chat to illustrator Gary Neill about how he put together his most recent artwork for the magazine

INTERVIEW Dom Hogan

In issue 25 of Champions Journal we brought you Pep Guardiola as he’s never been seen before; immortalised in stone and fused with one of the world’s most famous sculptures.  

The Manchester City manager has spent his career revolutionising the game, from tiki-taka football to inverted wing backs. So, naturally, when it came to providing artwork to partner our piece on modern football’s latest tactical trend – the renewed reliance on set-pieces – he made for the perfect inspiration for illustrator Gary Neill.  

The process of producing these vibrant and eye-catching artworks for our readers begins as just the smallest kernel of an idea, before the final product makes its way into the magazine after, in Gary’s words, “lots and lots and lots of drawing”.

After producing his latest stunning contribution for Champions Journal, Neill takes us behind the magician’s curtain and into his creative process.  

“I’ve been working as an illustrator for nearly thirty years, and I think one of the reasons I’ve been busy for so long is due to focusing on strong, simple ideas. So, stylistically, the work is quite bold, simple, and graphic, but the aesthetic is always in service of the idea.

“Usually, when creating these illustrations for Champions Journal, I’m initially given either the article or a synopsis to read and then I use that to generate some ideas. In this case, the article referenced the idea that set-piece coaches were being lauded like modern-day tactical geniuses, so I came up with five different rough ideas for the designer working on the article, riffing off the idea of set play coaches like Tony Pulis being considered in the same bracket as other great masters like Jürgen Klopp and Pep Guardiola.

In issue 25 of Champions Journal we brought you Pep Guardiola as he’s never been seen before; immortalised in stone and fused with one of the world’s most famous sculptures.  

The Manchester City manager has spent his career revolutionising the game, from tiki-taka football to inverted wing backs. So, naturally, when it came to providing artwork to partner our piece on modern football’s latest tactical trend – the renewed reliance on set-pieces – he made for the perfect inspiration for illustrator Gary Neill.  

The process of producing these vibrant and eye-catching artworks for our readers begins as just the smallest kernel of an idea, before the final product makes its way into the magazine after, in Gary’s words, “lots and lots and lots of drawing”.

After producing his latest stunning contribution for Champions Journal, Neill takes us behind the magician’s curtain and into his creative process.  

“I’ve been working as an illustrator for nearly thirty years, and I think one of the reasons I’ve been busy for so long is due to focusing on strong, simple ideas. So, stylistically, the work is quite bold, simple, and graphic, but the aesthetic is always in service of the idea.

“Usually, when creating these illustrations for Champions Journal, I’m initially given either the article or a synopsis to read and then I use that to generate some ideas. In this case, the article referenced the idea that set-piece coaches were being lauded like modern-day tactical geniuses, so I came up with five different rough ideas for the designer working on the article, riffing off the idea of set play coaches like Tony Pulis being considered in the same bracket as other great masters like Jürgen Klopp and Pep Guardiola.

Read the full story
Sign up now to get access to this and every premium feature on Champions Journal. You will also get access to member-only competitions and offers. And you get all of that completely free!

In issue 25 of Champions Journal we brought you Pep Guardiola as he’s never been seen before; immortalised in stone and fused with one of the world’s most famous sculptures.  

The Manchester City manager has spent his career revolutionising the game, from tiki-taka football to inverted wing backs. So, naturally, when it came to providing artwork to partner our piece on modern football’s latest tactical trend – the renewed reliance on set-pieces – he made for the perfect inspiration for illustrator Gary Neill.  

The process of producing these vibrant and eye-catching artworks for our readers begins as just the smallest kernel of an idea, before the final product makes its way into the magazine after, in Gary’s words, “lots and lots and lots of drawing”.

After producing his latest stunning contribution for Champions Journal, Neill takes us behind the magician’s curtain and into his creative process.  

“I’ve been working as an illustrator for nearly thirty years, and I think one of the reasons I’ve been busy for so long is due to focusing on strong, simple ideas. So, stylistically, the work is quite bold, simple, and graphic, but the aesthetic is always in service of the idea.

“Usually, when creating these illustrations for Champions Journal, I’m initially given either the article or a synopsis to read and then I use that to generate some ideas. In this case, the article referenced the idea that set-piece coaches were being lauded like modern-day tactical geniuses, so I came up with five different rough ideas for the designer working on the article, riffing off the idea of set play coaches like Tony Pulis being considered in the same bracket as other great masters like Jürgen Klopp and Pep Guardiola.

To come up with these ideas, I do lots and lots and lots of drawing
By
Gary Neill

“I think a couple of my ideas riffed off the tactical geometrical aspect of set-piece coaches, where I explored the idea of a game being planned out as a blueprint and not on a tactics board.

“The next step was to consider other famous artefacts representing geniuses, which led me to the sculpture of The Thinker, which I thought could be tweaked and twisted to suggest Guardiola as being one of the game’s great tacticians and intellectuals. Actually visualising the sculpture of The Thinker in the same pose as Guardiola, and to then turn him into stone, was technically a little tricky and took me a day or two to work out.

“I really enjoy the conceptual part of the process, exploring ideas, being playful with a whole range of visual possibilities. I also enjoyed the visual twist of the ball bouncing off Pep's head almost as if it was a set play pass from a throw-in or a corner. 

“To come up with these ideas, I do lots and lots and lots of drawing; these drawings are the visual ingredients that allow me to mix and match elements to make new ideas, but they also inspire me to play around with twisting things, putting things in unusual contexts, or changing the characteristics of visuals. So, quite simply, in this case, the idea of making a real human out of stone is not something that would technically happen but something that I imagined could be a fun visual in order to communicate an idea.

“I’m a mentor at The School of Communication Arts, and I love sharing with students great visual communication on billboards and posters. There’s something so effortless and concise about a great poster that I try to emulate in my illustrations.”

To access this article, as well as all CJ+ content and competitions, you will need a subscription to Champions Journal.
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