Insight

Talking Maradona

Oscar-winning director Asif Kapadia gives an incredible insight into Napoli’s heyday in his documentary, which goes by the name Diego Maradona. Here he tells Rebecca Hopkins what it was like to interview and make a film about one of football’s greatest ever players

WORDS Asif Kapadia & Rebecca Hopkins

Visit Napoli today and it is impossible to escape the grip Diego Maradona still holds over the city. It is more than 30 years since he led them to their first Serie A title in 1987 and into the European Cup, but his image still adorns buildings across the city. One giant mural, in the San Giovanni a Teduccio district, is called Dios Umano: Human God.

Celebrations lasted two months, such was the passion of fans upon clinching that first title. Twice Napoli won the Scudetto during Maradona’s time at the club, as well as the UEFA Cup. This unprecedented period in the team’s history comes into sharp focus in director Asif Kapadia’s latest film: Diego Maradona. Thrilling, shocking, profoundly moving, the documentary uses previously unseen footage to chart the extraordinary highs and lows of Maradona’s spell in the city. A roller-coaster story to rival anything dreamed up in Hollywood, it gives unique insights into how an insecure kid called Diego achieved almost god-like status in Naples – only to see that adulation dramatically unravel. Kapadia’s previous documentaries on Formula 1 world champion Ayrton Senna and singer Amy Winehouse won him an Oscar and a clutch of BAFTAs, and his latest study of a complex genius has already garnered praise and positive reviews. A football devotee and Liverpool fan from an early age, here Kapadia discusses the result of his three-year journey into the life of Diego Maradona.

Was this your passion project?

I love football, I watch football, I play football. Apart from film-making, and before film-making, and before relationships or anything, there was football. There was always football. That’s what we grew up in my house watching and loving. I’m one of those Liverpool fans from the ’70s who has stuck with them. You’ve got to. Even though I’m north London and my family were mainly Arsenal.

You have done documentaries about Ayrton Senna and Amy Winehouse but, as a football fan, was there added pressure doing this one?

I do think it’s different. This is a character that I have grown up with. This is a guy that I have been aware of. I remember Diego in ’82. I can remember ’86, watching the [World Cup quarter-final] against England – the tournament when he came to the fore. This film, I guess, was about trying to reveal who Maradona was as a club player. And what football was like then – old football. That era of our film is where the Champions League begins. It’s very different. It’s football from another planet, almost, when you look at the tackles that used to go on.

You started by making a film about his whole life and then narrowed it down to Naples. Why was that?

Diego’s life is, visually, like a series of circles. He goes somewhere, there’s a lot of hope, everyone loves him, he does something fantastic. Then he’ll get into an argument, he’ll pick a fight, something will go wrong; it ends badly, he leaves, he goes to the next team. It’s the same story repeated, repeated, repeated. But the biggest story was Naples. At that time he was the best footballer in the world; no one touched him. He won the World Cup – and he won the championship with a team that had never won before and has never won since.

Maradona’s first visit to the Stadio San Paolo after signing from Barcelona looked like something out of a movie, even before you got your hands on it.

I think he was the first one to have that kind of event at his arrival at a new team. There were 80,000 people there to welcome him. That was just genuine passion from the fans at having an incredible star player. Now, pretty much every player, that’s what they are trying to copy. It’s the norm now but it wasn’t the norm then. And you have got to remember that Napoli, the year before he arrived, they nearly got relegated. They only saved themselves in the last match of the season. That’s kind of crazy. Players would just not do that now. The best players, at the very, very top, they kind of want to be guaranteed to win. They want to be surrounded by superstars. They need to be at the richest clubs. Maradona went to the poorest club and within three years won the toughest championship there has probably ever been.

In so much of the film, he seemed vulnerable. It’s a side to him that’s rarely been seen.

You know, when you think of Diego Maradona, particularly latter-day Maradona, you don’t think of someone who is quite lonely, or lost or vulnerable. You think of a macho guy who creates chaos and says controversial things. But actually, what I find interesting about this form of storytelling is that I’m looking at a young Diego arriving in Naples. I’m looking at him going: “I can see a child.” So he is a vulnerable kid. He is lonely, he is afraid, he looks scared when he is surrounded by people and crowds. You can see on his face when he’s unhappy, when he’s happy. That’s what I like about the film: we were able to show simple raw emotions. I don’t have to tell you how he is feeling; you can see it in his eyes. His eyes never lie. And it was a really key thing with Senna and Amy too. These three brilliant people, really amazing characters, but with all of them you can see the weight and the pressure on their shoulders, how their face changes, how their body shape changes as the pressure builds up upon them. And their release and way to express themselves is to do the thing they love. Diego, when he’s on a pitch, is in control. Everything’s cool, he knows what he’s doing. It’s everything off the pitch that is difficult to run and manage.

“I think that’s what’s interesting: he knew how to read the game, how to play the game, how to be there for the fans, how to be there for the people.”
By

Did his problems away from the pitch have an effect on how he played?

Maradona definitely had his issues off the pitch, but on the pitch he was loved by his team-mates. He was always very supportive, he always made everyone play better. What’s interesting is obviously – part of his character – he had a massive ego. But on the pitch he was a team guy, it wasn’t all about him. He was very intelligent. He could see: “They are man-marking me, there’s two players on me – I’ll go deeper, that will give other players more space.” I think that’s what’s interesting: he knew how to read the game, how to play the game, how to be there for the fans, how to be there for the people.

Would things have gone differently for Maradona if he had moved to a different club, a different place? Or is there something about the combination of Maradona and Naples?

I think that’s the story. He’s not very good being the establishment. That’s why he didn’t really work at Barcelona. He felt much more comfortable being in the city of Naples. His heritage from his mum’s side is from southern Italy and that part of the world. They needed a hero, they needed someone that looked like him, talked like him, acted like him. And he needed a place that would love him, respect him, let him play – but then leave him alone. Don’t tell him what to do off the pitch. So there was a link, a perfect match, perfect synergy. And if he had gone to other big names and big teams in the north, I don’t think he would have fitted in. They kind of expect their players to act a certain way. Although maybe he would have had a longer career.  

Have you been to a game in Naples?

I’ve been to a few games at Napoli’s stadium. It hasn’t had any work done to it since Diego’s time. It’s kind of edgy. It’s miles away from the pitch. Everyone looks tiny because it’s one of those concrete bowls with a running track, so you are very far away. But the fans are great. It’s a brilliant atmosphere.

What sort of reactions have you had to the film?

Really good, really positive. The people in Naples, they laugh and they cry. And I’ve shown it in Buenos Aires – Argentinians get very emotional. He means something to them in a way that is very hard for us to comprehend in England. Because when you come from a country that has suffered economically, it’s had dictators and had such a tough time for so long, their heroes mean so much more. Particularly people who kind of make them successful on a global stage.

 And Maradona? Has he seen it?

Honestly, I’m guessing because it’s now available on streaming in Argentina, he might have seen it. But he and I have not spoken, so the official answer is that I don’t know. It would seem odd that he wouldn’t have seen it but he is such a stubborn character.

Finally, is it true you touched Maradona’s left foot during an interview?

So, the microphone’s on a coffee table and I’m sitting next to it. I’m essentially sitting on the floor at the feet of Diego Maradona – which is all a bit weird but sometimes you’ve got to do what you’ve got to do to get the interview. And as he’s answering a question of mine, I’m looking at him and I’m looking at his legs. He’s wearing shorts – he always wears shorts – and he’s got these amazing thighs. I’m looking at his thighs thinking: “Those legs are amazing, he’s still got it.” And then I realise, literally 20 centimetres away from me is Diego Maradona’s left foot. And I have been very lucky over the years because of the business I’m in. I’ve met a lot of movie stars, I’ve met a lot of rock stars, I’ve met famous people – but I’ve never had an urge, like I had at that moment, to touch someone. Literally, I was thinking to myself: “Would he mind if I touched his left foot? Would it bother him?” Madness took over me. So, as he answered, I just looked up at him, grabbed his left ankle and said: “Is this the foot that [Andoni Goikoetxea] broke?”

Maradona doesn’t like being touched – he’s spent his life being touched by people he doesn’t know – so he pushes me away. I kind of fall away, bang against the table, knock over the microphone. It’s all very awkward and very unprofessional. But you know what? I couldn’t help myself. I literally had this urge to touch him. I don’t think he was impressed, but it happened. And I haven’t washed since. And that was three years ago.

There are a lot of great players out there, lots of great artists and actors, but not everyone has charisma. Maradona has something. And I just remember thinking it would have been amazing to have been in his inner circle in the ’80s in Naples. You cannot imagine what life would have been like – it would have been incredible to have spent one night in that world.

Diego Maradona is out now on digital download, Blu-ray and DVD.

Interview
Maradona’s European Cup torment

There was little that Diego Maradona could not do with a ball at his feet, but even he was unable to inspire Napoli to European Cup glory. In fact, it was the one trophy that eluded him during his sparkling spell at the club, which included European success in the UEFA Cup in 1989. Twice the Argentinian maestro led his team to the Serie A title but twice – in an era when only national champions entered – they suffered early exits from Europe’s premier club competition.

The draw was certainly not kind tot he Partenopei in 1987/88 as they were paired with Real Madrid in a daunting first-round test. Although the opening leg at the Santiago Bernabéu was played behind closed doors, the Spanish giants, then six-time winners, deservedly beat the debutants 2-0.

A very different atmosphere awaited in Naples, where 83,000 fans packed into the Stadio San Paolo desperate for a defiant comeback. Defender Giovanni Francini gave them early hope, but as the hosts pushed for the crucial second goal they were punished by Emilio Butragueño just before half-time, a blow that effectively put the tie to bed.

Napoli enjoyed more fortune in the 1990/91 draw and, though the team were now past their peak, they kicked off with a 5-0 aggregate defeat of Hungarian side Újpest. Maradona himself scored twice in the home fixture, dazzling the crowd with a spectacular volley.

That was as good as it got: the Partenopei lost to Spartak Moskva on penalties in the next round after a pair of goalless draws. And the return leg proved to be a sign of things to come: Maradona missed the team’s flight to Moscow and arrived late on the eve of the game. The following day, coach Alberto Bigon started with his talisman on the bench.

Although Maradona came on after 65minutes and buried his penalty in the shoot-out, Napoli’s second European Cup adventure was ultimately brought to a halt. That proved to be Maradona’s last appearance in the competition and, at the end of that season, he left Naples as well.

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Insight

Talking Maradona

Oscar-winning director Asif Kapadia gives an incredible insight into Napoli’s heyday in his documentary, which goes by the name Diego Maradona. Here he tells Rebecca Hopkins what it was like to interview and make a film about one of football’s greatest ever players

WORDS Asif Kapadia & Rebecca Hopkins

Visit Napoli today and it is impossible to escape the grip Diego Maradona still holds over the city. It is more than 30 years since he led them to their first Serie A title in 1987 and into the European Cup, but his image still adorns buildings across the city. One giant mural, in the San Giovanni a Teduccio district, is called Dios Umano: Human God.

Celebrations lasted two months, such was the passion of fans upon clinching that first title. Twice Napoli won the Scudetto during Maradona’s time at the club, as well as the UEFA Cup. This unprecedented period in the team’s history comes into sharp focus in director Asif Kapadia’s latest film: Diego Maradona. Thrilling, shocking, profoundly moving, the documentary uses previously unseen footage to chart the extraordinary highs and lows of Maradona’s spell in the city. A roller-coaster story to rival anything dreamed up in Hollywood, it gives unique insights into how an insecure kid called Diego achieved almost god-like status in Naples – only to see that adulation dramatically unravel. Kapadia’s previous documentaries on Formula 1 world champion Ayrton Senna and singer Amy Winehouse won him an Oscar and a clutch of BAFTAs, and his latest study of a complex genius has already garnered praise and positive reviews. A football devotee and Liverpool fan from an early age, here Kapadia discusses the result of his three-year journey into the life of Diego Maradona.

Was this your passion project?

I love football, I watch football, I play football. Apart from film-making, and before film-making, and before relationships or anything, there was football. There was always football. That’s what we grew up in my house watching and loving. I’m one of those Liverpool fans from the ’70s who has stuck with them. You’ve got to. Even though I’m north London and my family were mainly Arsenal.

You have done documentaries about Ayrton Senna and Amy Winehouse but, as a football fan, was there added pressure doing this one?

I do think it’s different. This is a character that I have grown up with. This is a guy that I have been aware of. I remember Diego in ’82. I can remember ’86, watching the [World Cup quarter-final] against England – the tournament when he came to the fore. This film, I guess, was about trying to reveal who Maradona was as a club player. And what football was like then – old football. That era of our film is where the Champions League begins. It’s very different. It’s football from another planet, almost, when you look at the tackles that used to go on.

You started by making a film about his whole life and then narrowed it down to Naples. Why was that?

Diego’s life is, visually, like a series of circles. He goes somewhere, there’s a lot of hope, everyone loves him, he does something fantastic. Then he’ll get into an argument, he’ll pick a fight, something will go wrong; it ends badly, he leaves, he goes to the next team. It’s the same story repeated, repeated, repeated. But the biggest story was Naples. At that time he was the best footballer in the world; no one touched him. He won the World Cup – and he won the championship with a team that had never won before and has never won since.

Maradona’s first visit to the Stadio San Paolo after signing from Barcelona looked like something out of a movie, even before you got your hands on it.

I think he was the first one to have that kind of event at his arrival at a new team. There were 80,000 people there to welcome him. That was just genuine passion from the fans at having an incredible star player. Now, pretty much every player, that’s what they are trying to copy. It’s the norm now but it wasn’t the norm then. And you have got to remember that Napoli, the year before he arrived, they nearly got relegated. They only saved themselves in the last match of the season. That’s kind of crazy. Players would just not do that now. The best players, at the very, very top, they kind of want to be guaranteed to win. They want to be surrounded by superstars. They need to be at the richest clubs. Maradona went to the poorest club and within three years won the toughest championship there has probably ever been.

In so much of the film, he seemed vulnerable. It’s a side to him that’s rarely been seen.

You know, when you think of Diego Maradona, particularly latter-day Maradona, you don’t think of someone who is quite lonely, or lost or vulnerable. You think of a macho guy who creates chaos and says controversial things. But actually, what I find interesting about this form of storytelling is that I’m looking at a young Diego arriving in Naples. I’m looking at him going: “I can see a child.” So he is a vulnerable kid. He is lonely, he is afraid, he looks scared when he is surrounded by people and crowds. You can see on his face when he’s unhappy, when he’s happy. That’s what I like about the film: we were able to show simple raw emotions. I don’t have to tell you how he is feeling; you can see it in his eyes. His eyes never lie. And it was a really key thing with Senna and Amy too. These three brilliant people, really amazing characters, but with all of them you can see the weight and the pressure on their shoulders, how their face changes, how their body shape changes as the pressure builds up upon them. And their release and way to express themselves is to do the thing they love. Diego, when he’s on a pitch, is in control. Everything’s cool, he knows what he’s doing. It’s everything off the pitch that is difficult to run and manage.

Read the full story
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“I think that’s what’s interesting: he knew how to read the game, how to play the game, how to be there for the fans, how to be there for the people.”
By

Did his problems away from the pitch have an effect on how he played?

Maradona definitely had his issues off the pitch, but on the pitch he was loved by his team-mates. He was always very supportive, he always made everyone play better. What’s interesting is obviously – part of his character – he had a massive ego. But on the pitch he was a team guy, it wasn’t all about him. He was very intelligent. He could see: “They are man-marking me, there’s two players on me – I’ll go deeper, that will give other players more space.” I think that’s what’s interesting: he knew how to read the game, how to play the game, how to be there for the fans, how to be there for the people.

Would things have gone differently for Maradona if he had moved to a different club, a different place? Or is there something about the combination of Maradona and Naples?

I think that’s the story. He’s not very good being the establishment. That’s why he didn’t really work at Barcelona. He felt much more comfortable being in the city of Naples. His heritage from his mum’s side is from southern Italy and that part of the world. They needed a hero, they needed someone that looked like him, talked like him, acted like him. And he needed a place that would love him, respect him, let him play – but then leave him alone. Don’t tell him what to do off the pitch. So there was a link, a perfect match, perfect synergy. And if he had gone to other big names and big teams in the north, I don’t think he would have fitted in. They kind of expect their players to act a certain way. Although maybe he would have had a longer career.  

Have you been to a game in Naples?

I’ve been to a few games at Napoli’s stadium. It hasn’t had any work done to it since Diego’s time. It’s kind of edgy. It’s miles away from the pitch. Everyone looks tiny because it’s one of those concrete bowls with a running track, so you are very far away. But the fans are great. It’s a brilliant atmosphere.

What sort of reactions have you had to the film?

Really good, really positive. The people in Naples, they laugh and they cry. And I’ve shown it in Buenos Aires – Argentinians get very emotional. He means something to them in a way that is very hard for us to comprehend in England. Because when you come from a country that has suffered economically, it’s had dictators and had such a tough time for so long, their heroes mean so much more. Particularly people who kind of make them successful on a global stage.

 And Maradona? Has he seen it?

Honestly, I’m guessing because it’s now available on streaming in Argentina, he might have seen it. But he and I have not spoken, so the official answer is that I don’t know. It would seem odd that he wouldn’t have seen it but he is such a stubborn character.

Finally, is it true you touched Maradona’s left foot during an interview?

So, the microphone’s on a coffee table and I’m sitting next to it. I’m essentially sitting on the floor at the feet of Diego Maradona – which is all a bit weird but sometimes you’ve got to do what you’ve got to do to get the interview. And as he’s answering a question of mine, I’m looking at him and I’m looking at his legs. He’s wearing shorts – he always wears shorts – and he’s got these amazing thighs. I’m looking at his thighs thinking: “Those legs are amazing, he’s still got it.” And then I realise, literally 20 centimetres away from me is Diego Maradona’s left foot. And I have been very lucky over the years because of the business I’m in. I’ve met a lot of movie stars, I’ve met a lot of rock stars, I’ve met famous people – but I’ve never had an urge, like I had at that moment, to touch someone. Literally, I was thinking to myself: “Would he mind if I touched his left foot? Would it bother him?” Madness took over me. So, as he answered, I just looked up at him, grabbed his left ankle and said: “Is this the foot that [Andoni Goikoetxea] broke?”

Maradona doesn’t like being touched – he’s spent his life being touched by people he doesn’t know – so he pushes me away. I kind of fall away, bang against the table, knock over the microphone. It’s all very awkward and very unprofessional. But you know what? I couldn’t help myself. I literally had this urge to touch him. I don’t think he was impressed, but it happened. And I haven’t washed since. And that was three years ago.

There are a lot of great players out there, lots of great artists and actors, but not everyone has charisma. Maradona has something. And I just remember thinking it would have been amazing to have been in his inner circle in the ’80s in Naples. You cannot imagine what life would have been like – it would have been incredible to have spent one night in that world.

Diego Maradona is out now on digital download, Blu-ray and DVD.

Interview
Maradona’s European Cup torment

There was little that Diego Maradona could not do with a ball at his feet, but even he was unable to inspire Napoli to European Cup glory. In fact, it was the one trophy that eluded him during his sparkling spell at the club, which included European success in the UEFA Cup in 1989. Twice the Argentinian maestro led his team to the Serie A title but twice – in an era when only national champions entered – they suffered early exits from Europe’s premier club competition.

The draw was certainly not kind tot he Partenopei in 1987/88 as they were paired with Real Madrid in a daunting first-round test. Although the opening leg at the Santiago Bernabéu was played behind closed doors, the Spanish giants, then six-time winners, deservedly beat the debutants 2-0.

A very different atmosphere awaited in Naples, where 83,000 fans packed into the Stadio San Paolo desperate for a defiant comeback. Defender Giovanni Francini gave them early hope, but as the hosts pushed for the crucial second goal they were punished by Emilio Butragueño just before half-time, a blow that effectively put the tie to bed.

Napoli enjoyed more fortune in the 1990/91 draw and, though the team were now past their peak, they kicked off with a 5-0 aggregate defeat of Hungarian side Újpest. Maradona himself scored twice in the home fixture, dazzling the crowd with a spectacular volley.

That was as good as it got: the Partenopei lost to Spartak Moskva on penalties in the next round after a pair of goalless draws. And the return leg proved to be a sign of things to come: Maradona missed the team’s flight to Moscow and arrived late on the eve of the game. The following day, coach Alberto Bigon started with his talisman on the bench.

Although Maradona came on after 65minutes and buried his penalty in the shoot-out, Napoli’s second European Cup adventure was ultimately brought to a halt. That proved to be Maradona’s last appearance in the competition and, at the end of that season, he left Naples as well.

Insight

Talking Maradona

Oscar-winning director Asif Kapadia gives an incredible insight into Napoli’s heyday in his documentary, which goes by the name Diego Maradona. Here he tells Rebecca Hopkins what it was like to interview and make a film about one of football’s greatest ever players

WORDS Asif Kapadia & Rebecca Hopkins

Visit Napoli today and it is impossible to escape the grip Diego Maradona still holds over the city. It is more than 30 years since he led them to their first Serie A title in 1987 and into the European Cup, but his image still adorns buildings across the city. One giant mural, in the San Giovanni a Teduccio district, is called Dios Umano: Human God.

Celebrations lasted two months, such was the passion of fans upon clinching that first title. Twice Napoli won the Scudetto during Maradona’s time at the club, as well as the UEFA Cup. This unprecedented period in the team’s history comes into sharp focus in director Asif Kapadia’s latest film: Diego Maradona. Thrilling, shocking, profoundly moving, the documentary uses previously unseen footage to chart the extraordinary highs and lows of Maradona’s spell in the city. A roller-coaster story to rival anything dreamed up in Hollywood, it gives unique insights into how an insecure kid called Diego achieved almost god-like status in Naples – only to see that adulation dramatically unravel. Kapadia’s previous documentaries on Formula 1 world champion Ayrton Senna and singer Amy Winehouse won him an Oscar and a clutch of BAFTAs, and his latest study of a complex genius has already garnered praise and positive reviews. A football devotee and Liverpool fan from an early age, here Kapadia discusses the result of his three-year journey into the life of Diego Maradona.

Was this your passion project?

I love football, I watch football, I play football. Apart from film-making, and before film-making, and before relationships or anything, there was football. There was always football. That’s what we grew up in my house watching and loving. I’m one of those Liverpool fans from the ’70s who has stuck with them. You’ve got to. Even though I’m north London and my family were mainly Arsenal.

You have done documentaries about Ayrton Senna and Amy Winehouse but, as a football fan, was there added pressure doing this one?

I do think it’s different. This is a character that I have grown up with. This is a guy that I have been aware of. I remember Diego in ’82. I can remember ’86, watching the [World Cup quarter-final] against England – the tournament when he came to the fore. This film, I guess, was about trying to reveal who Maradona was as a club player. And what football was like then – old football. That era of our film is where the Champions League begins. It’s very different. It’s football from another planet, almost, when you look at the tackles that used to go on.

You started by making a film about his whole life and then narrowed it down to Naples. Why was that?

Diego’s life is, visually, like a series of circles. He goes somewhere, there’s a lot of hope, everyone loves him, he does something fantastic. Then he’ll get into an argument, he’ll pick a fight, something will go wrong; it ends badly, he leaves, he goes to the next team. It’s the same story repeated, repeated, repeated. But the biggest story was Naples. At that time he was the best footballer in the world; no one touched him. He won the World Cup – and he won the championship with a team that had never won before and has never won since.

Maradona’s first visit to the Stadio San Paolo after signing from Barcelona looked like something out of a movie, even before you got your hands on it.

I think he was the first one to have that kind of event at his arrival at a new team. There were 80,000 people there to welcome him. That was just genuine passion from the fans at having an incredible star player. Now, pretty much every player, that’s what they are trying to copy. It’s the norm now but it wasn’t the norm then. And you have got to remember that Napoli, the year before he arrived, they nearly got relegated. They only saved themselves in the last match of the season. That’s kind of crazy. Players would just not do that now. The best players, at the very, very top, they kind of want to be guaranteed to win. They want to be surrounded by superstars. They need to be at the richest clubs. Maradona went to the poorest club and within three years won the toughest championship there has probably ever been.

In so much of the film, he seemed vulnerable. It’s a side to him that’s rarely been seen.

You know, when you think of Diego Maradona, particularly latter-day Maradona, you don’t think of someone who is quite lonely, or lost or vulnerable. You think of a macho guy who creates chaos and says controversial things. But actually, what I find interesting about this form of storytelling is that I’m looking at a young Diego arriving in Naples. I’m looking at him going: “I can see a child.” So he is a vulnerable kid. He is lonely, he is afraid, he looks scared when he is surrounded by people and crowds. You can see on his face when he’s unhappy, when he’s happy. That’s what I like about the film: we were able to show simple raw emotions. I don’t have to tell you how he is feeling; you can see it in his eyes. His eyes never lie. And it was a really key thing with Senna and Amy too. These three brilliant people, really amazing characters, but with all of them you can see the weight and the pressure on their shoulders, how their face changes, how their body shape changes as the pressure builds up upon them. And their release and way to express themselves is to do the thing they love. Diego, when he’s on a pitch, is in control. Everything’s cool, he knows what he’s doing. It’s everything off the pitch that is difficult to run and manage.

“I think that’s what’s interesting: he knew how to read the game, how to play the game, how to be there for the fans, how to be there for the people.”
By

Did his problems away from the pitch have an effect on how he played?

Maradona definitely had his issues off the pitch, but on the pitch he was loved by his team-mates. He was always very supportive, he always made everyone play better. What’s interesting is obviously – part of his character – he had a massive ego. But on the pitch he was a team guy, it wasn’t all about him. He was very intelligent. He could see: “They are man-marking me, there’s two players on me – I’ll go deeper, that will give other players more space.” I think that’s what’s interesting: he knew how to read the game, how to play the game, how to be there for the fans, how to be there for the people.

Would things have gone differently for Maradona if he had moved to a different club, a different place? Or is there something about the combination of Maradona and Naples?

I think that’s the story. He’s not very good being the establishment. That’s why he didn’t really work at Barcelona. He felt much more comfortable being in the city of Naples. His heritage from his mum’s side is from southern Italy and that part of the world. They needed a hero, they needed someone that looked like him, talked like him, acted like him. And he needed a place that would love him, respect him, let him play – but then leave him alone. Don’t tell him what to do off the pitch. So there was a link, a perfect match, perfect synergy. And if he had gone to other big names and big teams in the north, I don’t think he would have fitted in. They kind of expect their players to act a certain way. Although maybe he would have had a longer career.  

Have you been to a game in Naples?

I’ve been to a few games at Napoli’s stadium. It hasn’t had any work done to it since Diego’s time. It’s kind of edgy. It’s miles away from the pitch. Everyone looks tiny because it’s one of those concrete bowls with a running track, so you are very far away. But the fans are great. It’s a brilliant atmosphere.

What sort of reactions have you had to the film?

Really good, really positive. The people in Naples, they laugh and they cry. And I’ve shown it in Buenos Aires – Argentinians get very emotional. He means something to them in a way that is very hard for us to comprehend in England. Because when you come from a country that has suffered economically, it’s had dictators and had such a tough time for so long, their heroes mean so much more. Particularly people who kind of make them successful on a global stage.

 And Maradona? Has he seen it?

Honestly, I’m guessing because it’s now available on streaming in Argentina, he might have seen it. But he and I have not spoken, so the official answer is that I don’t know. It would seem odd that he wouldn’t have seen it but he is such a stubborn character.

Finally, is it true you touched Maradona’s left foot during an interview?

So, the microphone’s on a coffee table and I’m sitting next to it. I’m essentially sitting on the floor at the feet of Diego Maradona – which is all a bit weird but sometimes you’ve got to do what you’ve got to do to get the interview. And as he’s answering a question of mine, I’m looking at him and I’m looking at his legs. He’s wearing shorts – he always wears shorts – and he’s got these amazing thighs. I’m looking at his thighs thinking: “Those legs are amazing, he’s still got it.” And then I realise, literally 20 centimetres away from me is Diego Maradona’s left foot. And I have been very lucky over the years because of the business I’m in. I’ve met a lot of movie stars, I’ve met a lot of rock stars, I’ve met famous people – but I’ve never had an urge, like I had at that moment, to touch someone. Literally, I was thinking to myself: “Would he mind if I touched his left foot? Would it bother him?” Madness took over me. So, as he answered, I just looked up at him, grabbed his left ankle and said: “Is this the foot that [Andoni Goikoetxea] broke?”

Maradona doesn’t like being touched – he’s spent his life being touched by people he doesn’t know – so he pushes me away. I kind of fall away, bang against the table, knock over the microphone. It’s all very awkward and very unprofessional. But you know what? I couldn’t help myself. I literally had this urge to touch him. I don’t think he was impressed, but it happened. And I haven’t washed since. And that was three years ago.

There are a lot of great players out there, lots of great artists and actors, but not everyone has charisma. Maradona has something. And I just remember thinking it would have been amazing to have been in his inner circle in the ’80s in Naples. You cannot imagine what life would have been like – it would have been incredible to have spent one night in that world.

Diego Maradona is out now on digital download, Blu-ray and DVD.

Interview
Maradona’s European Cup torment

There was little that Diego Maradona could not do with a ball at his feet, but even he was unable to inspire Napoli to European Cup glory. In fact, it was the one trophy that eluded him during his sparkling spell at the club, which included European success in the UEFA Cup in 1989. Twice the Argentinian maestro led his team to the Serie A title but twice – in an era when only national champions entered – they suffered early exits from Europe’s premier club competition.

The draw was certainly not kind tot he Partenopei in 1987/88 as they were paired with Real Madrid in a daunting first-round test. Although the opening leg at the Santiago Bernabéu was played behind closed doors, the Spanish giants, then six-time winners, deservedly beat the debutants 2-0.

A very different atmosphere awaited in Naples, where 83,000 fans packed into the Stadio San Paolo desperate for a defiant comeback. Defender Giovanni Francini gave them early hope, but as the hosts pushed for the crucial second goal they were punished by Emilio Butragueño just before half-time, a blow that effectively put the tie to bed.

Napoli enjoyed more fortune in the 1990/91 draw and, though the team were now past their peak, they kicked off with a 5-0 aggregate defeat of Hungarian side Újpest. Maradona himself scored twice in the home fixture, dazzling the crowd with a spectacular volley.

That was as good as it got: the Partenopei lost to Spartak Moskva on penalties in the next round after a pair of goalless draws. And the return leg proved to be a sign of things to come: Maradona missed the team’s flight to Moscow and arrived late on the eve of the game. The following day, coach Alberto Bigon started with his talisman on the bench.

Although Maradona came on after 65minutes and buried his penalty in the shoot-out, Napoli’s second European Cup adventure was ultimately brought to a halt. That proved to be Maradona’s last appearance in the competition and, at the end of that season, he left Naples as well.

It's your time to decide
Choose which classic final goal you would like to see in Issue 03 of Champions Journal.