
All my life. Though my brother, who I shared a room with as a kid, is a fanatic Feyenoord fan.
Yes. Well, no, because back in the day, early 70s, Ajax and Feyenoord were the two teams in Holland. So each year it was either Ajax or Feyenoord who won the league. And if Ajax won the league, Feyenoord won the European Cup and vice versa. But yes, Iâm an Ajax fan to this day. Which makes things difficult sometimes.
Iâm talking Tottenham Hotspur v Ajax. I donât need to explain any more.
I did but they squeezed me into an âoversâ group rather than an age-specific group, so at the age of 14 I was two heads smaller than everyone else. But that doesnât mean that I would have made it otherwise, because if you are talented enough then you will make it sooner or later.
By the age of 29, I was a sales rep. One day a friend said, âCome with me, Iâm a photographer at Ajax.â I didnât believe him until he showed me his press credentials. He said heâd get some for me too, just for one game. I said, âI donât have any idea and I donât have any equipment.â He said, âDonât worry, Iâll just give you my second camera.â It was 5 May 1991, a league game against Roda JC. From that moment on I knew exactly what I wanted to do.
I had to start from the beginning. Itâs the same in any serious profession: you canât just come in and say, âHello, Iâm a photographer!â Which, by the way, a lot of people do nowadays, much to my irritation.
I can tell you this now, 30 years on. I asked my friend, âHow do I get a press card?â He said, âGet me a passport photo, Iâll make one for you.â It looked pretty good as well. He said, âOne thing you have to rememberâŠâ and he described an elderly woman, the grumpy type. He said, âIf you ever see a woman fitting that description, you have to walk away immediately. Sheâs the head of press accreditation.â
The Dutch national team played a friendly about a year later and I saw a grumpy-looking elderly woman walking around the pitch. I was ready to run away and never come back. But I was lucky in that the game was about to begin and I was standing between the players in the tunnel. So because of the stress of that moment she said, âOK, OK, go on the pitch but on Monday, you come to my office.â
I was there on Monday morning, 9am sharp. I said, âHey, remember me?â She said â well, she shouted â âOf course I remember you! Youâre the guy who wasnât supposed to be there!â But I got my press pass. And I was like, âWow, that was easy.â I think Iâd been on the scene long enough that she had to accept me.



Iâm like a player/manager, but probably more manager than player nowadays.
Always. Not always: most of the time. Itâs exciting because Iâm a fan, so itâs the same feeling that I would have if I was in the stands.
The crucial moments. So much happens in the course of a game. No offence, but itâs not the same if youâre watching tennis for five hours. I covered a tennis match once and thought, âWhat the hell am I doing here?â
Itâs 50 per cent luck and 50 per cent ability.
The best moment â actually the worst but, from a personal point of view, the best â was when Patrick Kluivert scored against Milan in the 1995 final. Iâm not sure if I should tell you this but I said to myself, âTake a deep breath and enjoy this, because it will probably be the only time your team will take the lead in a Champions League final.â So I completely missed shooting the goal-scoring moment â even though it was right in front of me â because I was sort of paralysed. I was still a bit more fan than professional.
We had these film rolls with 36 frames on a roll, and for an average Champions League game weâd probably shoot ten rolls â 360 images. Thatâs the number you shoot now for the warm-up. I end up with about 2,200 pictures for a normal game. But I have colleagues who shoot 6,000, which is crazy. It doesnât make them better photographers either.
My number one is no longer there: the old Wembley. It was the most beautiful stadium in the world, ever. If only they had kept the towers.
The one player who would always give me chills when I watched him was Arjen Robben.
I donât have friends in the football world. Though if I was to come across them in town they would say hello because, one way or another, we are in the same business â them as players, me the guy following them around all the time. Zlatan IbrahimoviÄ used to live just down the street.
Not in the early days â they were much more alike back then. We all confused them sometimes. Theyâre two of the nicest people in football though â different characters but both of them very nice.
He was one of those players who you knew would be really big. He would always use the train station near me to get back to his parentsâ house after training, and that was the first time I saw him as a young man. Heâs an absolute gentleman. I went to a Champions League game in northern France in 2002, Lens against Milan. I was shooting the players lined up for the anthem and then I made a 180 towards the dugout. Seedorf was looking right at me and said, âWhat the hell are you doing here?â I said, âIâm here for you, to get some pictures of you in your new outfit.â We were making chit-chat and I remember the faces of the other Milan players â they were like, âWhy are you talking to this guy?â
We had a magnificent season last year and I did the whole campaign. But that away game against Madrid â because of the club, because of the stadium, because of the way Ajax played that night. Absolutely outstanding.
Last seasonâs team was more fun to watch, but the 1995 team was a slightly better side. Â
Deep breath. I had been imagining how it was going to be to watch Ajax in a final again after 24 years. But it was so crazy, this game. I saw it coming, I saw it happening and I was thinking, âHow on earth is Erik ten Hag not seeing whatâs happening?â The best player, Lucas Moura, who was scoring all the goals for Spurs, had no apparent resistance. I was so desperate. Sorry, none of this has anything to do with photography.
Itâs Nelson Mandelaâs cell on Robben Island. Itâs never opened to tourists unless there is a special group coming in â on this occasion it was opened for the Ajax team, who were in South Africa for a mid-season winter break. When all the players had seen it and left, Henk stayed there, looking around. It only lasted 30 seconds but to share that moment with the Ajax manager in an iconic place, that was very special.
Oh, absolutely. Iâve done most of them the past 15 years and it always amazes me how I enjoy each and every one as if it was my first. I never approach it as a routine thing.
No, not really. Maybe in 24 years. Â
All my life. Though my brother, who I shared a room with as a kid, is a fanatic Feyenoord fan.
Yes. Well, no, because back in the day, early 70s, Ajax and Feyenoord were the two teams in Holland. So each year it was either Ajax or Feyenoord who won the league. And if Ajax won the league, Feyenoord won the European Cup and vice versa. But yes, Iâm an Ajax fan to this day. Which makes things difficult sometimes.
Iâm talking Tottenham Hotspur v Ajax. I donât need to explain any more.
I did but they squeezed me into an âoversâ group rather than an age-specific group, so at the age of 14 I was two heads smaller than everyone else. But that doesnât mean that I would have made it otherwise, because if you are talented enough then you will make it sooner or later.
By the age of 29, I was a sales rep. One day a friend said, âCome with me, Iâm a photographer at Ajax.â I didnât believe him until he showed me his press credentials. He said heâd get some for me too, just for one game. I said, âI donât have any idea and I donât have any equipment.â He said, âDonât worry, Iâll just give you my second camera.â It was 5 May 1991, a league game against Roda JC. From that moment on I knew exactly what I wanted to do.
I had to start from the beginning. Itâs the same in any serious profession: you canât just come in and say, âHello, Iâm a photographer!â Which, by the way, a lot of people do nowadays, much to my irritation.
I can tell you this now, 30 years on. I asked my friend, âHow do I get a press card?â He said, âGet me a passport photo, Iâll make one for you.â It looked pretty good as well. He said, âOne thing you have to rememberâŠâ and he described an elderly woman, the grumpy type. He said, âIf you ever see a woman fitting that description, you have to walk away immediately. Sheâs the head of press accreditation.â
The Dutch national team played a friendly about a year later and I saw a grumpy-looking elderly woman walking around the pitch. I was ready to run away and never come back. But I was lucky in that the game was about to begin and I was standing between the players in the tunnel. So because of the stress of that moment she said, âOK, OK, go on the pitch but on Monday, you come to my office.â
I was there on Monday morning, 9am sharp. I said, âHey, remember me?â She said â well, she shouted â âOf course I remember you! Youâre the guy who wasnât supposed to be there!â But I got my press pass. And I was like, âWow, that was easy.â I think Iâd been on the scene long enough that she had to accept me.



Iâm like a player/manager, but probably more manager than player nowadays.
Always. Not always: most of the time. Itâs exciting because Iâm a fan, so itâs the same feeling that I would have if I was in the stands.
The crucial moments. So much happens in the course of a game. No offence, but itâs not the same if youâre watching tennis for five hours. I covered a tennis match once and thought, âWhat the hell am I doing here?â
Itâs 50 per cent luck and 50 per cent ability.
The best moment â actually the worst but, from a personal point of view, the best â was when Patrick Kluivert scored against Milan in the 1995 final. Iâm not sure if I should tell you this but I said to myself, âTake a deep breath and enjoy this, because it will probably be the only time your team will take the lead in a Champions League final.â So I completely missed shooting the goal-scoring moment â even though it was right in front of me â because I was sort of paralysed. I was still a bit more fan than professional.
We had these film rolls with 36 frames on a roll, and for an average Champions League game weâd probably shoot ten rolls â 360 images. Thatâs the number you shoot now for the warm-up. I end up with about 2,200 pictures for a normal game. But I have colleagues who shoot 6,000, which is crazy. It doesnât make them better photographers either.
My number one is no longer there: the old Wembley. It was the most beautiful stadium in the world, ever. If only they had kept the towers.
The one player who would always give me chills when I watched him was Arjen Robben.
I donât have friends in the football world. Though if I was to come across them in town they would say hello because, one way or another, we are in the same business â them as players, me the guy following them around all the time. Zlatan IbrahimoviÄ used to live just down the street.
Not in the early days â they were much more alike back then. We all confused them sometimes. Theyâre two of the nicest people in football though â different characters but both of them very nice.
He was one of those players who you knew would be really big. He would always use the train station near me to get back to his parentsâ house after training, and that was the first time I saw him as a young man. Heâs an absolute gentleman. I went to a Champions League game in northern France in 2002, Lens against Milan. I was shooting the players lined up for the anthem and then I made a 180 towards the dugout. Seedorf was looking right at me and said, âWhat the hell are you doing here?â I said, âIâm here for you, to get some pictures of you in your new outfit.â We were making chit-chat and I remember the faces of the other Milan players â they were like, âWhy are you talking to this guy?â
We had a magnificent season last year and I did the whole campaign. But that away game against Madrid â because of the club, because of the stadium, because of the way Ajax played that night. Absolutely outstanding.
Last seasonâs team was more fun to watch, but the 1995 team was a slightly better side. Â
Deep breath. I had been imagining how it was going to be to watch Ajax in a final again after 24 years. But it was so crazy, this game. I saw it coming, I saw it happening and I was thinking, âHow on earth is Erik ten Hag not seeing whatâs happening?â The best player, Lucas Moura, who was scoring all the goals for Spurs, had no apparent resistance. I was so desperate. Sorry, none of this has anything to do with photography.
Itâs Nelson Mandelaâs cell on Robben Island. Itâs never opened to tourists unless there is a special group coming in â on this occasion it was opened for the Ajax team, who were in South Africa for a mid-season winter break. When all the players had seen it and left, Henk stayed there, looking around. It only lasted 30 seconds but to share that moment with the Ajax manager in an iconic place, that was very special.
Oh, absolutely. Iâve done most of them the past 15 years and it always amazes me how I enjoy each and every one as if it was my first. I never approach it as a routine thing.
No, not really. Maybe in 24 years. Â
All my life. Though my brother, who I shared a room with as a kid, is a fanatic Feyenoord fan.
Yes. Well, no, because back in the day, early 70s, Ajax and Feyenoord were the two teams in Holland. So each year it was either Ajax or Feyenoord who won the league. And if Ajax won the league, Feyenoord won the European Cup and vice versa. But yes, Iâm an Ajax fan to this day. Which makes things difficult sometimes.
Iâm talking Tottenham Hotspur v Ajax. I donât need to explain any more.
I did but they squeezed me into an âoversâ group rather than an age-specific group, so at the age of 14 I was two heads smaller than everyone else. But that doesnât mean that I would have made it otherwise, because if you are talented enough then you will make it sooner or later.
By the age of 29, I was a sales rep. One day a friend said, âCome with me, Iâm a photographer at Ajax.â I didnât believe him until he showed me his press credentials. He said heâd get some for me too, just for one game. I said, âI donât have any idea and I donât have any equipment.â He said, âDonât worry, Iâll just give you my second camera.â It was 5 May 1991, a league game against Roda JC. From that moment on I knew exactly what I wanted to do.
I had to start from the beginning. Itâs the same in any serious profession: you canât just come in and say, âHello, Iâm a photographer!â Which, by the way, a lot of people do nowadays, much to my irritation.
I can tell you this now, 30 years on. I asked my friend, âHow do I get a press card?â He said, âGet me a passport photo, Iâll make one for you.â It looked pretty good as well. He said, âOne thing you have to rememberâŠâ and he described an elderly woman, the grumpy type. He said, âIf you ever see a woman fitting that description, you have to walk away immediately. Sheâs the head of press accreditation.â
The Dutch national team played a friendly about a year later and I saw a grumpy-looking elderly woman walking around the pitch. I was ready to run away and never come back. But I was lucky in that the game was about to begin and I was standing between the players in the tunnel. So because of the stress of that moment she said, âOK, OK, go on the pitch but on Monday, you come to my office.â
I was there on Monday morning, 9am sharp. I said, âHey, remember me?â She said â well, she shouted â âOf course I remember you! Youâre the guy who wasnât supposed to be there!â But I got my press pass. And I was like, âWow, that was easy.â I think Iâd been on the scene long enough that she had to accept me.



Iâm like a player/manager, but probably more manager than player nowadays.
Always. Not always: most of the time. Itâs exciting because Iâm a fan, so itâs the same feeling that I would have if I was in the stands.
The crucial moments. So much happens in the course of a game. No offence, but itâs not the same if youâre watching tennis for five hours. I covered a tennis match once and thought, âWhat the hell am I doing here?â
Itâs 50 per cent luck and 50 per cent ability.
The best moment â actually the worst but, from a personal point of view, the best â was when Patrick Kluivert scored against Milan in the 1995 final. Iâm not sure if I should tell you this but I said to myself, âTake a deep breath and enjoy this, because it will probably be the only time your team will take the lead in a Champions League final.â So I completely missed shooting the goal-scoring moment â even though it was right in front of me â because I was sort of paralysed. I was still a bit more fan than professional.
We had these film rolls with 36 frames on a roll, and for an average Champions League game weâd probably shoot ten rolls â 360 images. Thatâs the number you shoot now for the warm-up. I end up with about 2,200 pictures for a normal game. But I have colleagues who shoot 6,000, which is crazy. It doesnât make them better photographers either.
My number one is no longer there: the old Wembley. It was the most beautiful stadium in the world, ever. If only they had kept the towers.
The one player who would always give me chills when I watched him was Arjen Robben.
I donât have friends in the football world. Though if I was to come across them in town they would say hello because, one way or another, we are in the same business â them as players, me the guy following them around all the time. Zlatan IbrahimoviÄ used to live just down the street.
Not in the early days â they were much more alike back then. We all confused them sometimes. Theyâre two of the nicest people in football though â different characters but both of them very nice.
He was one of those players who you knew would be really big. He would always use the train station near me to get back to his parentsâ house after training, and that was the first time I saw him as a young man. Heâs an absolute gentleman. I went to a Champions League game in northern France in 2002, Lens against Milan. I was shooting the players lined up for the anthem and then I made a 180 towards the dugout. Seedorf was looking right at me and said, âWhat the hell are you doing here?â I said, âIâm here for you, to get some pictures of you in your new outfit.â We were making chit-chat and I remember the faces of the other Milan players â they were like, âWhy are you talking to this guy?â
We had a magnificent season last year and I did the whole campaign. But that away game against Madrid â because of the club, because of the stadium, because of the way Ajax played that night. Absolutely outstanding.
Last seasonâs team was more fun to watch, but the 1995 team was a slightly better side. Â
Deep breath. I had been imagining how it was going to be to watch Ajax in a final again after 24 years. But it was so crazy, this game. I saw it coming, I saw it happening and I was thinking, âHow on earth is Erik ten Hag not seeing whatâs happening?â The best player, Lucas Moura, who was scoring all the goals for Spurs, had no apparent resistance. I was so desperate. Sorry, none of this has anything to do with photography.
Itâs Nelson Mandelaâs cell on Robben Island. Itâs never opened to tourists unless there is a special group coming in â on this occasion it was opened for the Ajax team, who were in South Africa for a mid-season winter break. When all the players had seen it and left, Henk stayed there, looking around. It only lasted 30 seconds but to share that moment with the Ajax manager in an iconic place, that was very special.
Oh, absolutely. Iâve done most of them the past 15 years and it always amazes me how I enjoy each and every one as if it was my first. I never approach it as a routine thing.
No, not really. Maybe in 24 years. Â